Two more Ant-Man pieces, in support of a previous post
Sandy's original color guide for one of the Ant-Man pages
Artwork done to help sell an Ant-Man proposal to the powers-that-be at Marvel
The day after seeing Ant-Man in the theater, Jim throws a few questions at Sandy (below) about his Ant-Man work in 1993's Marvel Comics Presents Vol 1 #131.
Can't say there was anything that "lead up" to getting this job exactly. I had written a four part Daredevil story for the same title, Marvel Comics Presents, a while earlier and had a good relationship with the editor, Terry Kavanaugh. I think I just said something like, "Hey, want an Ant-Man story?" and he said something like, "go for it." MCP was an experiment for the company--an anthology book that came out twice a month. That schedule meant they were burning through material at an alarming rate. I think they weren't being very particular about what they stuck into the book so long as the pages were rectangular and there was a Marvel superhero somewhere in the story.
That's the only time I handled Ant-Man, though I did submit a proposal for an Ant-Man graphic novel that actually climbed up the corporate chain of command for a while, until it didn't any more. As usual, no explanation as to why it stalled out but I wasn't particularly surprised or disappointed. Getting a proposal approved in comics is something like taking a whack at that game they used to have at carnivals... the one where you take a swing with an over-sized mallet and hit this little lever that sends a weight up a pole toward a bell. Very rarely does that weight make it all the way to the top and reward you with that little "bong" of success. I don't remember much about the plot I came up with [for the graphic novel] but I do remember wanting to exploit the fact that this guy hung out with ants--something no other writer had yet done. I mean, if you know anything about ant societies...!)
I wrote, drew and colored this MCP job. As usual, I was appalled by what happened to the color when it reach the printed page. Marvel had switched some of their books onto a whiter, slicker paper and this meant that the inks weren't being absorbed and muted like on the standard newsprint. This accounts for that Easter egg look.
Plunkett-fan Jim Harris interviewing Sandy about past and present projects.